I always found the interval of a third between the G and B strings a hindrance since I began to think a lot in terms of intervals, so I tried tuning my guitar in 4ths. I will link Tom Quayle's videos below, as he really know 4ths, and can explain what you can and can't with that.įor jazz chords and lines, 4ths makes it easier. I was studying and practising a lot of scales and trying to move away from my more blues based playing. The Sticks inverted 5ths bass allows the player to anchor chords with very low. Tightening the strings makes the pitch go up loosening the strings makes the pitch go down. Why Bass 5ths In a conventional 4ths tuning, bass chords often sound muddy. The B string is off because people figured out that its easier to make chords if its tuned down a half step. Gaither and Ben Gitty Baker discuss two great tenor guitar tunings for 4-string cigar box guitars. As pointed out in this thread, tuning in 4ths is standard except for the B string. If we take this shape up an octave and play it at the 10th fret of the D string in standard tuning, our. If we play this on the A, D and G strings we get a triad composed from the notes C, E and G played at the 3rd fret of the A string. Okay, so as an example we can take a Cmajor Triad. Turning the pegs changes the pitch of the strings up or down. In this excerpt from a Cigar Box Nation TV episode, A. Tuning in 4ths - Introduction Tom Quayle. Guitar tuning is controlled by the tuning pegs on the headstock of the guitar. This 'completeness' is both in the audible octave it gives, as well as mental – duplicating the low E string – and hence delivers its own kind of logic, that as mentioned can be used for barre chords, or as a drone or as a flavour or style so typically of western rhythmic music. First, let’s start with some of the basic parts of how to tune a guitar. Standard tuning gives the benefit of the high octave E – and despite the irregular major third from the G to B string breaking the sense of interval order across the 3 high strings, the octave E delivers a sense of completeness over the octaves of the 6 strings that perfect 4ths or 5ths tuning does not have. When you play a complicated classical arrangement and when you get that feeling – wow these harmonies are awesome - and you realise this demands standard tuning to be played – well, then you can really appreciate the cleverness of standard tuning.īut also in classical, you change tunings, like dropping to D or dropping the G to F# (Lute tuning) or other stuff, in order to get the job done. And here standard tuning really shows why it's been used so much – barre chords makes a lot of harmonies possible along with fast changing simultaneous bass and melody lines. Tunings should be viewed as tools – one should choose the smartest and best tuning as the right tool to get the job done. I play in several tunings, including regular standard, drop D, fifths (not practical for normal close interval chords), open tunings and others (and even banjo tunings are cool and fun!).
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